Poetry and the Power of Words

Literature is the artwork. Poetry is the artwork of the phrase. There are many styles of artwork: verbal, sound, plastic, gestural, and so on. Poetry and literary prose, along with narrative, for example, are verbal arts.

The numerous patterns and musical rhythms make up the sound artwork. In turn, drawing, painting, photography, printing, and sculpture are visible or plastic arts. The numerous varieties of dance are signal arts. According to a vintage definition, plastic arts are “silent poetry”. Sure enough, the numerous artwork bureaucracies supply expression to human creativeness and technical skill. It is vital to observe that artwork without poetry does now no longer exists. Mário Quintana, a Brazilian poet, used to say, “all arts are exceptional manifestations of poetry”.

words have power

Thus, poetry is an innovative shape of expression that could happen itself in lots of ways, now no longer simplest thru the verse. Poetry is one of the oldest literary expressions of humanity. In the historical world, poetry changed into sung with instrumental accompaniment, with flute or lyre. Hence the name “lyric poetry”. The sounds of the phrases and the rhythm of the verses represent the song of the poem. The poem has rhythms, cadences, and sounds that talk to our innermost feelings and feelings.

When we examine a poem aloud, we can understand its rhythm. Repetition is the premise of rhythm. Reading aloud is referred to as interpretive reading. The poet has numerous sources for the development of rhythm: the dimensions of verses or poetic strains, the usage of rhymes (identification of sounds on the cease of phrases), the accent (sturdy syllables X susceptible syllables), repetitions of vowel sounds (assonances) or consonant clusters (alliterations), the assembly of vowels, the strophic combination, etc.

The verse is every line of that means that makes up the poem. Some authors write poems with the simplest one verse. For example, Jules Laforgue (1860-1887), while he writes approximately the summertime season cicada, he says: “L’insecte internet grate Los Angeles sécheresse… ” (in loose translation: “The crisp insect scratches dryness… “). In a poem, the verses are grouped into stanzas or stanzas (this phrase comes from the Italian stanza and means ‘room’), in strains that comply with the poetic rhythm. In this way, in poetry phrases create verses, verses create stanzas and stanzas create poems. In a story, sentences are prepared in paragraphs, indirectly strains. Words create sentences, sentences create paragraphs and paragraphs create text.

There are fundamental varieties of the verse: the conventional or orthodox verse, that is, the rhymed and ordinary verse, which obeys constant metrification rules (along with syllable counting or stanza format), and the current or loose verse. In reality, it’s miles hard to outline the loose verse because it could be each uniform and loose, that is, extra “loose”. The obvious, however now no longer essential, the function is that it dispenses with the rhyme. The loose verse appears extra open to the anxieties and anxieties of modernity. However, in our current poetry, the rhyme has in no way been abandoned.